最近的天氣很有春天的感覺（時冷時熱非常不穩定，大家出門還是要多加件衣服和攜帶雨具才好。），附圖這件「煙江待渡圖」也很有春天的感覺。
🌸🐦筆歌墨舞—故宮繪畫導賞 展出不同時期的各式人物、花鳥、山水作品。有興趣的朋友請參考☘️展件清單：https://theme.npm.edu.tw/exh110/Painting11001/ch/page-3.html#main
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【宋 錢選 煙江待渡圖】
Waiting for the Fairy on a Misty River, Qian Xuan, Song dynasty (960-1279)
尺寸：21.6 x 111.2 cm
💟喜歡這件畫作嗎？可以到 #故宮OpenData下載：https://tinyurl.com/y9asmugy
畫作賞析：
錢選（約1235－1307），吳興（今浙江湖州）人。字舜舉，號玉潭、巽峰等。入元後不仕，以書畫終其身。
山水師法趙令穰與趙伯駒，花鳥師趙昌，人物師李公麟，然不為前人法度所拘。本幅繪秋景山水，山巒平坡多用硬拙直筆鉤皴，既表現出青綠山水的古雅工麗，又富有文人畫的恬靜意趣。樹叢以細筆皴點，蔥鬱清麗，構圖平遠浩渺，頗有絕世出塵之境。畫家藉畫上題詩，表達自己隱遁避世之願。
Qian Xuan (fl.1235-1307, style name Shunju; sobriquets Yutan and Xunfeng) was a native of Wuxing (modern Huzhou, Zhejiang). He did not seek office after the rise of the Yuan dynasty, instead making a living through his painting and calligraphy.
He took the landscape styles of Zhao Lingrang and Zhao Boju, bird-and-flower manner of Zhao Chang, and figure style of Li Gonglin as his teachers. Qian Xuan was, however, not confined by the methods of previous masters. This is a painting of an autumnal landscape in which the mountain ridges and level slopes are depicted mostly with angular texture strokes using a stiff, awkward brush held upright, assisting to express the archaic elegance and delicate beauty of a blue-and-green landscape that fully possesses the peaceful atmosphere of literati painting. The groups of trees are rendered with fine texture strokes and dots, conveying luxuriant growth and pure beauty. The painting has a flat-distance composition with a vast body of water suggesting an otherworldly and unsullied realm, the artist's poetry inscribed at the top of the painting expressing his wish to live in reclusion and retire from the world.
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●筆歌墨舞—故宮繪畫導賞（展期：2021/01/01~04/06）
陳列室：210【北部院區】第一展覽區
展覽網站：https://theme.npm.edu.tw/exh110/Painting11001/
●Pictorial Songs of the Brush: A Guide to Paintings in the National Palace Museum Collection
Dates: 01 JAN 2021~06 APR 2021
Gallery: 210 (Northern Branch) Exhibition Area I
https://www.npm.gov.tw/en/Article.aspx?sNo=04011497
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